Tuesday, February 13, 2007

THE PLANT WATERER by KATHRYN RANTALA

EILEEN TABIOS Reviews

The Plant Waterer and other things in common by Kathryn Rantala
(Ravenna Press, Edmonds, WA, 2006)

I've read quite a few poetry collections where interconnectedness is--as I read them--an underlying poetics. Kathryn Rantala's The Plant Waterer makes it fresh--by creating her own garden from this seed (sorry, couldn't resist the pun). Witness:

Once when I was unlocking the car, the air blew up and surprised me so that I dropped my keys. When I bent to pick them up I was surprised again. An amusing, conversational air. One day when I could think of nothing to say, it ventured out in front of me in a breezy sort of way.

I feel good to be elaborated this way. As old as I become I will always shudder at the cruelty of fans.

Next week I am planning a trip that will take me aloft. I wonder if the winds above are of the same temperament. How many varieties will be there? Maybe the parents of this gentle breeze? I imagine their pride when they held this little zephyr in their hands. I hope they hold my plane in the same protective way; that I will be sustained by the casual buoyancies of the sky.
--from "The Air"

"Casual" is a good, albeit deceptive, summation of the collection's overall tone. There's an equanimity throughout -- a lack of straining:

Day 1:
"Pointing Figure" is the wooden portrait of a man wearing a hat, made sometime between 1890 and 1900 for a group of the Raven Clan. An earlier Pointing Figure was set up on Cat Island by ancestors of the same group for a deceased relative.

Andy Moses helped with the carving of this memorial but never inquired into the story behind it since he was a young man and, like many young men, uninterested in such matters.
--from "Alaska Day Tours"

But that equanimity is hardly simple. Part of the book's charm is how the poise seems effortless. Artless, indeed:

the cars just swarm onto the deck of a
ferry as if they know where they fit best
--from "Sometimes"

The overall effect is quite pleasurable, and enhanced by the intimate drawings throughout the book. I assume the poet is also the visual artist since there's no information to the contrary. And, if so, it's nice to see the book's equilibrium also manifested through the drawings' delicate deftness.

One drawing is even a visual ars poetica--the first drawing is of a tree whose trunk ends in a lighbulb, set amid full leafy hair (with a bit of a halo effect). After all, without light, one would not recognize the interconnectedness of seemingly unrelated matter--from a "porous toothpick" to the Borealis to potato soup to The Mohs scale to a "theoretical, joking wind". Without light, we wouldn't see what "things in common," as the collection's title offers, are shared. As the very apt opening poem offers (in its entirety here):

Last night

in a movie something suddenly was made quite clear.

It had to do with the idea that forms of speech held in common are not arbitrary. Or are; I forget which. Last night it was all so suddenly, you know, clear.


*****

Eileen Tabios HEARTS wine, dogs and Thou.

Wednesday, February 14, 2007

ISSUE NO. 5

February 14, 2007

[N.B. You can scroll down for all articles or click on highlighted names or titles to go directly to referenced article. Since this is a large issue, if it takes too long to upload the entire issue, you also can click on the individual links below to more quickly get to a review that interests you.]


CONTENTS:

EDITOR'S INTRODUCTION
From Eileen Tabios


NEW REVIEWS
Ron Silliman reviews HAVING BEEN BLUE FOR CHARITY by kari edwards

Mark Young reviews HAVING BEEN BLUE FOR CHARITY by kari edwards

Guillermo Parra reviews Micah Ballard’s poems in 6x6 #5; BETTINA COFFIN; ABSINTHIAN JOURNAL; SCENES FROM THE SARAGOSSA MANUSCRIPT; UNFORESEEN; DEATH RACE V.S.O.P.; EVANGELINE DOWNS; and NEGATIVE CAPABILITY IN THE VERSE OF JOHN WIENERS

Julie R. Enszer reviews BALANCING ACTS by Rochelle Ratner

Ernesto Priego reviews THE ANIMAL HUSBAND by Christine Hamm

Nicholas Manning reviews NIGHT SEASON by Mark Lamoureux

Eileen Tabios reviews FIRST ADVENTURES OF COL AND SEM by Dan Waber

J.O. LeClerc reviews BOWERY WOMEN: POEMS, Ed. by Marjorie Tesser & Bob Holman

Ivy Alvarez presents a Chap Roundup reviewing MY LIGHTWEIGHT INTENTIONS by Pam Brown; SURFACE TENSION by Mackenzie Carignan and Scott Glassman; TRANSLATIONS FROM AFTER by Joel Chace; OH MISS MARY by Jim McCrary; DOVEY & ME by Strongin; and THE NAME POEMS by Jeffrey Cyphers Wright

Julie R. Enszer reviews A HALF-RED SEA by Evie Shockley

Nicholas Manning reviews TRACT by Jon Leon

Mary Jo Malo reviews BLOOD AND SALSA / PAINTING RUST by Jonathan Penton

Rebecca Mabanglo-Mayor reviews THE GODS WE WORSHIP LIVE NEXT DOOR by Bino Realuyo

Eileen Tabios reviews THE ALLEGREZZA FICCIONES by Mark Young

Jeannine Hall Gailey reviews NAVIGATE, AMELIA EARHART'S LETTERS HOME by Rebecca Loudon

Nicholas Downing reviews CIVILIZATION by Elizabeth Arnold

William Allegrezza reviews KALI'S BLADE by Michelle Bautista

John Bloomberg-Rissman reviews UNPROTECTED TEXTS: SELECTED POEMS 1978-2006 by Tom Beckett

Tom Beckett reviews A READING, 18-20 by Beverly Dahlen

Eileen Tabios reviews WIND IS WIND AND RAIN IS RAIN by Brynne

Allen Bramhall reviews DOWN SPOOKY by Shanna Compton

Lynn Strongin reviews SHOT WITH EROS: NEW AND SELECTED POEMS and SEED PODS, both by Glenna Luschei

William Allegrezza reviews I OF THE STORM by Bill Lavender

Richard Lopez reviews OH MISS MARY by Jim McCrary

Craig Santos Perez reviews THE TIME AT THE END OF THIS and 60 LV BO(E)MBS, both by Paolo Javier

Anne Haines presents reviews RADISH KING by Rebecca Loudon; LIVING THINGS by Charles Jensen; and MORTAL by Ivy Alvarez

Lynn Strongin reviews THIRST by Mary Oliver

Mario E. Mireles reviews excerpts from NOT EVEN DOGS by Ernesto Priego; Matsuo Bash’s “The Narrow Road of the Interior" in The Norton Anthology of World Masterpieces, Ed. Maynard Mack; and Octavio Paz’s "The Tradition of the Haiku" in Convergences: Essays on Art and Literatur.

William Allegrezza reviews ELAPSING SPEEDWAY ORGANISM by Bruce Covey

Laurel Johnson reviews CALLS FROM THE OUTSIDE WORLD by Robert Hershon

Eileen Tabios reviews BODY OF CRIMSON LEAVES by Celia Homesley

Eileen Tabios reviews THE PLANT WATERER AND OTHER THINGS IN COMMON by Kathryn Rantala

Julie R. Enszer reviews OSIP MANDELSTAM: NEW TRANSLATIONS, Ed. by Ilya Bernstein

Hugh Fox reviews SEEDPODS by Glenna Luschei

Marjorie Light reviews COMING FULL CIRCLE: THE PROCESS OF DECOLONIZATION AMONG POST-1975 FILIPINO AMERICANS and A BOOK OF HER OWN: WORDS AND IMAGES TO HONOR THE BABAYLAN, both by Leny M. Strobel

Mark Young reviews SONNET by Matt Hart

Eileen Tabios reviews THE GRACES by Elizabeth Treadwell and SONNET by Matt Hart


FROM OFFLINE TO ONLINE: REPRINTED REVIEWS
Andrew Joron reviews ULTRA VIOLET by Laura Moriarty

Britta Ameel reviews ALASKAPHRENIA by Christine Hume

Sharon Mesmer reviews OPPOSABLE THUMB by Joe Elliot

Eileen Tabios reviews OBEYED DILEMMA by Jukka-Pekka Kervinen

Alfred Yuson reviews BELIEVE & BETRAY by Cirilo F. Bautista

Alfred Yuson reviews MATADORA by Sarah Gambito

Alfred Yuson reviews FAULTY ELECTRICAL WIRING: POEMS by Ruel S. De Vera, A FEAST OR ORIGINS by Dinah Roma and ELSE IT WAS PURELY GIRLS by Angelo Suarez


BACK COVER
What it Means to be Missy WinePoetics’ Dawgs